Dissolving Yellow Sky

$50$300

In route to Seaside, an Oregon coastal community about 90 miles west of Portland, there’s a turn off toward a very small town which has a park for enjoying nature. Along the walk, there’s a surprise: a large brick structure with an opening where presumably a door had at one time existed. Stepping inside, the (maybe) 30′ high walls are lined top to bottom with graffiti with no ceiling. Very much as I said, unexpected.

I didn’t apply any special effects to this image; it’s flowery and light and painterly texture was there as I saw it. I did move in close and set my focus on the tagged part, to accentuate with a slight depth of field blur, the colorful dissolving texture of the plants and wall. I include the unedited version in the gallery for comparison purposes.

Description

Vernonia, Oregon began as an isolated farming district in the late 1800’s. According to Wikipedia, in 1924 a state of the art lumber mill opened near the shore of the Nehalen River that connected up with the national railroad. By 1957, after changing hands a number of times, the mill closed. The structure I briefly described above is part of what remains.

Archival-Quality Prints: A Century of Timeless Beauty

These are more than just images—they’re lifelong companions. Printed to meet museum-grade archival standards, each piece is crafted using the finest materials to last over 100 years with proper care.

Why It Matters:

  • Exceptional Longevity
    Your print is made to endure, preserving its rich tones and detail for generations when stored and displayed correctly.

  • Care Tips to Protect Your Print:

    • Unframed Prints: Store flat in an archival-quality box or portfolio.

    • Framed Prints: Use UV-filtering acrylic glazing, archival matting, and acid-free adhesives.

    • Display Location: Avoid direct sunlight and high humidity to maintain color vibrancy and surface quality.


Materials That Make the Difference

  • Papers:
    I use premium Canson archival fine art papers—free of optical brightening agents (OBAs) that degrade over time. Each offers:

    • Deep, rich blacks

    • Smooth and textured finishes

    • A wide dynamic range from bright highlights to dark shadows

    Paper Types:

    • Rag Photographique (210g and 310g)

    • Platine Fibre Rag (310g)

    • Baryta Prestige 2 (340g)

  • Inks:
    Printed with Canon Lucia pigment inks—known for their exceptional color accuracy and fade resistance. Lab-tested to last 100+ years.


Framed Prints Include:

  • Solid wood frames

  • 98% UV-protection acrylic glass

  • Archival mounting tapes

  • 100% acid-free cotton rag board used for windows and mounted prints — a professional conservation-grade material trusted for long-term preservation. While not formally classified as “museum board,” it meets rigorous archival standards.

  • Pre-installed picture wire — artwork arrives ready to hang


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Additional information

PAPER SIZE:

8.5×11", 11×17", 16" x 20" Framed Print